In the painting ‘The Campo de Rialto’ the artist shows one of the classic city views that became the hallmark of his work. Commonly known as Canaletto, the artist Giovanni Antonio Canal was born in Venice in 1697, and in this Venetian city scene he captures the striking buildings and details of everyday life to perfection. Studying with Luca Carlevarijs who was a renowned cityscape painter, Canaletto quickly became the equal of his tutor. Although Canaletto’s early artwork was painted outdoors in contrast to undertaking the painting in a studio, which was the painting tradition of the time, some of his later works were painted indoors. Influences In ‘The Campo de Rialto’ the artist takes what could be a dry subject and brings it alive by his attention to detail. The viewer is drawn into picture to observe the minutiae of daily life, such as the small dog and the activities in the foreground, and then further back the men mending a roof. Canaletto’s early life was characterized by a different form of art as he followed his father into his occupation of theatrical scene painting, and he was later inspired by the Giovanni Paolo Pannini whose style incorporated scenes of daily life in the city. Following Pannini’s lead, Canaletto began his own paintings of outdoor scenes in and around his home city of Venice, and this included classic scenes of the Grand Canal and other less obvious subject matter such as that in ‘The Stonemason’s Yard.' The latter depicts a more humble side of the city away from the grandeur of the classical scenes and architecture. Technique and subject matter The painting is an oil on canvas and was painted somewhere between 1758-63 and is now housed in the Staatliche Museen in Berlin. The painting is somewhat austere in style and belongs to one of a group of four that were commissioned by a German merchant, Sigmund Streit. The painting shows the Ruga degli Orefici, the Pasazzo dei Dieci Savi and the campanile of San Giovanni degli Elemosinario in the background. The building at the centre and to the right of the painting is the Fabriche Vecchie di Rialto. Summary The early works of Canaletto remain his most treasured and many have argued his best. His landscapes of the pageantry and traditions of his city painted on a large scale convey a strong sense of the traditions and activities of his time. By using vibrant local colours and atmospheric effects, some art critics have said that his artwork may be said to have paved the way for the impressionist movement.